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著名画家仲泊游《中国神话》和《华夏源》大型水墨组画原创完成(2)

  http://www.artpangu.com   时间:2018-04-09 15:36:11    来源:盘古艺术网   点击:

  夸父追日 Quafoo chasing after the sun

  

  精卫填海 Jingwei reclamation

  

  嫦娥奔月 Chang e

  女娲补天传说,天地初始,灾难降临人间,女娲用练就的五色石块补天上漏洞,支撑天上的四柱抵住了灾难和消灭了怪兽,大地重新长出树木花草,女娲不但造就了人,还从自然灾害中拯救了人类。

  The hand that mends the legend, the initial heaven and earth, the disaster came, nuwa with practice of five-color stones to heaven loophole, supporting the four pillars of heaven into the disaster and destroy the monster, the earth to grow plants, nuwa not only make the people, also to save the human from the natural disasters.

  从大禹治水体现出中华民族奋斗崛起之精神;从嫦娥奔月展现出华夏子孙伟大的寻梦里程;从炎黄二帝驰骋疆土见证了中国人铁骨铮铮的不屈骨气;从伏羲观天上星辰察阴阳枯荣说明了华人的创新发明智慧。作者从神话中学习求索从而创作出中国神话组画。

  It reflects the spirit of the rising of the Chinese nation from dayu. From chang 'e to the moon to show the great dream of the Chinese descendants; From the two emperors of yan and huang, they have witnessed the unyielding spirit of the Chinese people. From the perspective of fuxi, Yin and Yang of the stars in the sky explained the innovation and wisdom of Chinese people. The author learns from the myth to create Chinese mythology.

  

  黄帝 The yellow emperor

  

  炎帝 Yan di

  

  神农尝百草 Shennong tastes the grass

  《中国神话》系列组画(1.25×1.25米),《华夏源》大幅八联画(5×2.5米)创作始于2017年6月至2018年2月完成,此系列作品以纸本水墨为主,烘托出虚幻神秘的黑白空间,作者以现代创作思维与意象形式,用生动笔墨表达出远古神话故事,书写出远古和当代的寻根寻梦之画卷。

  “Chinese mythology” series of paintings (1.25×2.5 meters) “the source of an ancient name for China” big eight league draw (5×2.5 meters)creation began in June 2017 to February 2017, the series is given priority to with paper and ink, foil the illusory mysterious black and white space, the author in the form of modern creative thinking with imagery, with vivid ink expresses the ancient myths, writing out the roots of ancient and contemporary searches for the picture.

  

  伏羲八卦 The Fu gossip

  

  仓颉造字 Changjie make a word

  

  大禹治水 Dayu water conservancy

  作者从神话中得到艺术创作灵感,勇于摆脱国画传统习惯思维。把平面抽象构成与笔墨肌理美相结合。使画面更具现代审美渴求,东方艺术讲究是“计白守黑”阴阳相生的太极原理。画面只用黑与白这最单纯的元素构成画面更具生动感,更富阴阳相生的美感。

  作者仲泊游在构图、空间的造型上,以抽象、意象化的成份融入新水墨画的多维时空表达中。融贯中西,其中书法线的抽象之美更具有把水墨画推向东方现代艺术的强烈的视觉感、能丰富观者的触觉和幻觉。使观者带着情感用新眼界去发掘画面的整体内涵,从而得到心灵的升华。(文/任柯)

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